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Fountain O is a brand-new kind of company. Think of it as a movie studio, but instead of using big cameras and real actors, they use AI (which stands for Artificial Intelligence — that’s like a super-smart computer program that can create pictures, voices, and even whole stories).
They want to make full-length movies and TV shows that are generated (made) by AI. Their second big movie is called Odysseus: The Fall.
Before this, a man named Ash Koosha made a movie called Dream of Violets. Here are some simple facts:
Ash Koosha came back to make another live-action-style tale (looks like real people but made by computer). This one is based on an old Greek story about a hero named Odysseus.
Fountain O gave a short summary (called a synopsis) of the movie:
The movie shows the broken memories of a man who is drowning in his last minutes. His journey home is like a test, where every monster is actually something he created. Without being called "clever," we see a man facing what he really did to get home. It ends not with a hero’s party, but with forgiveness from the one person who truly knows him.
At the same time, a very famous director named Christopher Nolan is making a huge movie called The Odyssey (another version of the Odysseus story).
Fountain O is trying to get attention by riding on the buzz of Nolan’s movie. They hope people will be curious to see both.
Important: Ash Koosha said: “We very much hope that Christopher Nolan’s film, The Odyssey, is a raging success at the box office, and in some way that our version of the journey of Odysseus might further that success by bringing to theaters those who might not otherwise come out to see the film, simply because they are curious to see the ultimate in human creation and compare it to one man’s collaboration with AI.”
In Dream of Violets and this new movie, the actors, sets, and cameras were entirely replaced by AI models during production. But a human (Ash Koosha) still did the:
So it’s a teamwork between human creativity and computer tools.
Here are the computer programs that helped build the movie (like using different crayons for different jobs):
Pooya Koosha (producer) praised Kling, saying they are creating new tools to make AI movies as good as human ones.
Key Point: Chinese AI tools are being used more because they help lower the cost of making AI movies (like reducing the electric or usage bills).
Ash says storytellers should not be scared of AI. He said:
“It’s a threat to nothing except distance, the distance between a person with a story and the means to tell it. More films will be made this way; that seems certain to me, the way it was certain once that anyone would be able to shoot on the camera in their pocket. What has to survive the change is the only thing that ever mattered: the story, and the reason for telling it. A tool has never made a film worth watching. A person with something urgent to say has made every one of them, and that won’t change, whatever they’re holding when they say it.”
In simple words: AI just helps a person tell their story; it doesn’t replace the need for a good story.
Tom Rogers is a longtime tech and media boss — he even founded CNBC (a news channel) while running NBC Cable. He and Ash want to:
He said they want to “provide a basis of comparison… so moviegoers might be curious enough to see both films”.
Ash and Pooya Koosha were born in Iran and left the country in 2009. They also started a cloud AI company called Claigrid (cloud computing is like using someone else’s powerful computers over the internet) with Tom Rogers as its executive chairman.
So far, no big streaming service (like Netflix) or theater company has picked up Dream of Violets for release. So Fountain O will show both movies on their own website.
To wrap up:
It means the movie’s pictures, actors, and places are created by smart computer programs instead of real cameras and people, but a human still writes the story and guides the computer.
Because both tell the same old Greek story of Odysseus. Nolan’s version is super expensive with famous actors; the AI version is super cheap and made by computer. The small company hopes people will watch both to see the difference.
It was budgeted at “mid-five figures,” which means about $30,000 to $50,000. That’s pocket money compared to Nolan’s $250 million.
Not yet. No theater or streamer picked them up. You can watch them on the Fountain O website for a $9.99 rental per title.
The creators say no. AI just closes the gap between having a story and having the tools to tell it. The human (Ash Koosha) still wrote, voiced, and designed the movie; the computer just helped build it.