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On December 21, 1988, a terrible tragedy struck the small Scottish town of Lockerbie. A commercial airplane — Pan Am Flight 103 — was flying from London to New York when it exploded in mid-air about 60 miles outside Glasgow.
Important Numbers to Remember
- 270 people died (259 on the plane + 11 on the ground)
- Victims came from 21 different countries
- 179 Americans were killed, which brought the FBI into the investigation
- Debris scattered across 800 square miles — that’s huge!
Netflix made a 6-part miniseries called The Bombing of Pan Am 103. It tells the story of:
Created by: Jonathan Lee
Directed by: Michael Keillor
Released: July 30 on Netflix
| Character | Actor | Role |
|---|---|---|
| Ed McCusker | Connor Swindells | A determined Scottish police officer |
| Dick Marquise | Patrick J. Adams | An FBI agent working with the Scots |
| Police Superintendent | Peter Mullan | Gruff but caring boss of the Scottish team |
| Victims’ Advocate | Merritt Wever | Fights tirelessly for the families |
| FBI Bomb Expert | Eddie Marsan | American specialist (with a questionable accent!) |
The show treats the tragedy with great care. No graphic violence or gore. Instead of showing the terror inside the plane, we see the horror through the eyes of Lockerbie residents stepping outside to find their town transformed into "rubble and hellfire."
The series highlights something beautiful: ordinary people doing extraordinary things.
The investigation was painstaking — like finding a torn clothing label among miles of debris. The show captures this through small but powerful details:
The two main characters represent ideas more than real individuals:
We barely learn their personal motives, personalities, or lives outside the case.
The show tells us the bombing led to:
The Good
- Peter Mullan — "Wonderfully gruff" as the police superintendent
- Merritt Wever — "Relentless advocate" for victims’ families
The Not-So-Good
- Eddie Marsan — "Bizarre Southern accent" as the FBI bomb expert
"Respectable but not memorable."
The show is a worthy tribute to the people of Lockerbie and the victims. It’s sensitive, human-scaled, and avoids sensationalism. But as a drama that stands the test of time? It lacks depth — the characters are too generic, the bigger meaning goes unexplored, and it doesn’t give new viewers enough context about why this still matters today.
| Aspect | Rating | Notes |
|---|---|---|
| Respect for victims | Dignified, no exploitation | |
| Town of Lockerbie portrayal | Beautifully shows community spirit | |
| Character depth | Main characters feel symbolic | |
| Historical context | Missing "what changed after" | |
| Acting | Strong cast, one questionable accent | |
| Pacing/Investigation detail | Shows the painstaking work well | |
| Overall memorability | Worth watching, but won’t haunt you |
Not required, but helpful! The show assumes some knowledge. If you’re under 40, you might want to read a quick summary of the Lockerbie bombing first.
No. The show deliberately avoids graphic violence. The horror comes from the aftermath — seeing a peaceful town shattered — not from the explosion itself.
The review doesn’t flag major inaccuracies. It focuses on the investigation process and community response, which are well-documented. Some characters are composites (blends of real people).
That Peacock series (starring Colin Firth) focused on one father’s fight for answers. This Netflix show is broader — covering the investigation, the town, and multiple perspectives.
Yes, if: You want a respectful tribute, enjoy procedural investigations, or care about community resilience stories.
Maybe skip if: You want deep character studies, geopolitical analysis, or a series that stays with you long after the credits roll.
"The bare fact that hundreds of people were murdered that day, and that hundreds more stepped up to comfort their loved ones, to bring the perpetrators to justice, to agitate for change, is worth trying to remember in itself, however imperfectly."
The show may not be perfect, but its heart is in the right place — and sometimes, that’s the most important thing.